"The quality of the seat determines whether we can even speak of 'riding', or whether the horse simply has to 'deal with' the load on his back." ~ Kurt Albrecht
"The seat and weight aids are supporting aids. They support either a leg or rein aid, or both. Don’t underestimate their significance though. They are important aids, especially in the fine tuning of advanced horses. The leg and rein aids will fail to achieve their full effectiveness without the support of weight and seat." ~ Christian Thiess
"For me, the walk is indispensible. If a horse is not walking correctly – extended, collected, two tracks with all the lateral work – then he doesn’t show that he is relaxed, supple, together. I do it all the time, with young horses, with educated horses, I do some lateral work in walk, some extensions, relaxation and collection, half pirouettes, all this before I come into the trot. It makes the horses calm, makes the rider also calm, it makes the rider coordinate his aids – now I need more bending, less bending, re-balance this half pass, it is indispensible. Also indispensible are the breaks in-between with long reins and free reins. We should start every session in walk – for ten minutes, it should be walk. Not just free reins, working in walk." ~ Rafael Soto
If you ask for too much angle in any lateral movement (more than your horse can handle at that moment,) you risk impeding the balance and fluidity of the movement, which should be your top priorities.
Always keep your spine stretched upward when riding. When you slump, your head and shoulders will become "heavy", and your horse will likely become heavy in your hands.
The bigger the jump, the more the horse must rock back and lift upwards on the takeoff. Therefore as the jumps get bigger, it becomes even more important that you are poised and patient with your upper body off the ground.
From Facebook fan Joan Childs ~ "One of the best bits of advice I was given many many years ago I now pass on freely to all my students. Your hands must be free in order to use them effectively. You can not pull, push, follow, open or close your reins if they are busy being a source of your balance."
"Dressage is about repetition and correction and being strong with yourself to not let bad habits happen. It’s being on top of every little thing. If you make bad transitions at home because you’re lazy or not really thinking of it, you’re going to make bad transitions in the arena. Then you go, ‘oh, he did that,’ but that’s because you allowed him to make all those mistakes in the first place." ~ Charlotte Dujardin
From Facebook fan Krista Fabregas ~ "On an 18h gangley monster, a custom made saddle makes a world of difference... and ramen noodles provide adequate enough nutrition when paying for said saddle."
Sometimes you can make your circles better by not working on circles! Work on squares, 90 degree turns, and diagonal lines for a while, and maybe some nose to the wall leg yield. Then come back to your circles, after you have worked on better use of and response to your outside turning aids.
"The motto of instructor and rider must always be forward. Forward in the movement of the horse instructed to his care. Forward in order to achieve his aim in the art of training. Forward whenever difficulties appear." ~ Alois Podhajsky
"Anyone can ruin a horse in a heart beat… and what is happening is this vicious circle of working incorrectly, veterinary need, working incorrectly, more veterinary maintenance, that’s a vicious circle." ~ George Morris
"The horse’s particular, individual tempo must also be coordinated with his particular length of frame. A horse can only set his front foot down on the spot toward which his nose is pointing. Thus, the longer the step, the longer the horse’s frame must be." ~ Walter Zettl
"Good style is effective style." ~ Bill Steinkraus
Tip/Quote of the Day # 1650When you give an aid, whether it is a half halt or an aid to canter - ask very lightly, and then wait a bit to give the horse time to process and respond. This takes the pressure off of the horse which lets him think more clearly about what you are asking, which will allow him to respond in a more focused way. Tip/Quote of the Day # 1649In your Dressage seat, let your legs hang quietly down - close to your horse's sides for easy and intimate communication, but not tight, which lessens your ability to communicate in a subtle manner.Tip/Quote of the Day # 1648
There should be no joint in a rider's midsection. Otherwise the hip joint doesn't work as it is supposed to.
Tip/Quote of the Day # 1647"The rider should remain upright with the small of the back braced. The spine must not be hollow and the spine must remain supple and flexible. This is necessary to enable the rider to follow all movements of his horse as if he were part of his own body. The back must remain firm and upright to allow the rider to use the small of the back as an aid." ~ Alois PodhajskyTip/Quote of the Day # 1646
When riding a Dressage test, riding accurately to the letters and making good use of the corners of the ring shows the judge that you are aware, thinking, and have good control of your horse.
Think of the fact that there is a beginning, a middle, and an end to every exercise you ride, and every jump that you jump. In other words, if I just tell you to go jump that oxer, you job is not just to jump the over well, but to do a good transition into canter, get the right canter, jump the oxer well, and then to pull up in a smooth and organized manner.
Frustration is often a part of the process of learning and improving as a rider. Look at it from the perspective that you have been strong enough to move out of your comfort zone., and into an area that is difficult for you. And if you persist with determination, you will get there!
"Sit on your pockets like you got a million bucks in there." ~ Unknown
Technically it isn't correct to be sitting all the way on your back pockets. This can, however, be a good thing for a rider who has a tendency to lean too far forward to think about doing!
Always keep in mind that you need to engage your horse's brain to get him to truly think forward. Your goal should not be to merely get his feet moving, but to ignite the area of his brain that makes him decide to want to move forward. Only when your horse really wants to go forward do you truly have a forward horse... no matter how fast you are actually traveling.
Tip/Quote of the Day # 1636Regularity in the gaits can only be achieved when the movement goes through the horse's relaxed and swinging back.Tip/Quote of the Day # 1635If you want to have good, solid jumping form over fences, practice your two point position. A lot. Even to the point that it hurts a little. Remember, no pain = no gain!Tip/Quote of the Day # 1634
"It was a really good lesson for me to learn that sometimes to go forward with training you have to go back and fill in the holes." - Katy Barlow
Even if the rider has all of their body parts generally in the right place, they will feel out of balance and out of "sync" with their horse's movement when the shock absorbing joints in their legs are locked and rigid.
From Facebook fan Lisa Davidson ~ "Progress with horses is like watching grass grow - you can never see it happening but the lawn needs mowing every week!"
"There is one way to check that you are on the right way – in the high collection you must be able to stretch them so they follow the bit and they are not stuck up there. In every situation you must be able to stretch them – even a piaffe or a pirouette, even then, I must be able to do it." ~ Hubertus Schmidt
"When the horse jumps, you go with it, not the other way around." ~ Bill Steinkraus
Tip/Quote of the Day # 1628"The horses which excel in the piaffe are the horses which have not only strong conformation of the hindquarters but also a sharp or electric temperament which leads them to offer the piaffe naturally. Such volatile horses are not always easy to train and compete as youngsters because of their temperament, but in the long run it is worth persevering with them because they are less likely to ‘switch off’ in the arena." ~ Chris Bartle