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You cannot judge how "light" a horse is entirely by the feel of the reins. Many times riders are fooled into thinking they have found true lightness, when in fact the horse is just posing in a false frame.
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"The volte is one of the most important movements you can ride. It is teaching the horse to bend in his ribcage, within his body, and then to maintain a rhythm – in the future this movement will become a half pass. We are working on control over the balance
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Riders are often incorrectly told to lean back and against the reins when their horses get strong. Not only will this not work, but it will usually make the horse even heavier in their hands.
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"Event horses need to learn to jump facing into crowds and other spooky things. At home, I have my horses jumping into banners on the fence line and other things to get them used to that idea." ~ William Fox Pitt
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"It is true that when the training is slow, the progress is quick, when the training is quick, the progress is slow." ~ Unknown
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Riders with short arms have to be especially careful to keep their elbows bent at all times.
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The better the rider's seat, the more easily the horse can understand the rider's aids. So make working on developing and maintaining an independent seat a top priority!
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As you finish jumping a course, ask yourself if you are finishing with the same pace that you started with. If the answer is no… the next question you need to ask yourself is which speed was better for your horse's jumping - the way you started, or the
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Always refresh the forward after any period of lateral work.
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Everyone talks about engaging the horse's inside hind leg... But the key to a good quality canter is sufficient engagement of the outside hind leg, as that is how each canter stride begins.
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In addition to the suppling benefits, basic lateral work helps the horse to understand that the rider's leg creates engagement of the hind legs, rather than merely speed.
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"Dressage is the art of putting one crooked body on top of another crooked body and making them both straight." ~ Richard Weis
