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Tip/Quote of the Day # 3465
"In order to jump well, a horse must have a canter which simultaneously contains both balance and impulsion." ~ Jack Le Goff Check out this entry for a discussion on this topic!
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"In order to jump well, a horse must have a canter which simultaneously contains both balance and impulsion." ~ Jack Le Goff Check out this entry for a discussion on this topic!
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Riders should carry their hands just above the horse's withers, so as to create a straight line from the rider's elbow to the horse's mouth. When a rider’s hands are rising above that line, many times this is because of tense, drawn up
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"Classical riding starts with correct movement, we want to build up the strength of the horse and build up the movements – make them more brilliant more expressive, more light, more supple, and if you do not understand this, then you do not follow the rules." ~ Reiner Klimke
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Carrying your hands with your thumbs on top when riding keeps your hands, wrists, elbows, shoulders in a "neutral" position, which allows your joints to move most freely to enable an elastic rein connection.
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"Too many riders use corners and turns to slow down, when they should be using them to create impulsion." ~ Patricia Calhoun Deasy
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If you attempt to teach a horse something while tension is present, his learning will be compromised. And you will be more likely to run into problems associated with the flight response.
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The horse that is the fastest on cross country is often not the one that is allowed to gallop at a greater rate of speed, but rather one that is highly adjustable, and is ridden on economical lines.
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When a rein or leg boundary aid is not being listened to, it can be helpful to give it a slight electric quality.
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"Connection is often misunderstood. The horse must be taught to go from the seat and leg to the hand for it to be correct. But some riders will try to force it by working their hands and arms to 'work the horse’s neck back and forth to
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Always keep in mind that you need to engage your horse's brain to get him to truly think forward. Your goal should not be to merely get his feet moving, but to ignite the area of his brain that makes him decide to want to move forward. Only
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You can tell just by looking at a horse's topline, how correct his flatwork training has been.
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"It's the rider's job to make his horse sensitive enough to anticipate half halts, for it is the anticipation factor that makes horse and rider harmonious. The use of the horse's anticipation should work greatly to your advantage in daily training and in